Paul Marieton - "Une histoire d'Amour, George Sand and A. de Musset,"

Leverett S. Lyon - "Elements of Debating"

Clair Wallace Hayes - "The Boy Allies On the Firing Line"

S. D. Gordon - "Quiet Talks about Jesus"

Love the One You're With - by Emily Giffin
Moreover Technologies - Premier purveyor of real-time news and RSS feeds from across the Web

The Nanny Diaries - by Emma McLaughlin and Nicola Kraus
Ad -

Book Review: The Dream by Gurbaksh Chahal
by Emily Giffin A novel about life, love, the choices we make, the choices we didn't make, and the 'what if?' At the age of 33, Ellen Graham seems to have it all. Her husband, Andy, is a handsome, successful lawyer and the brother of her best friend,

A / B / C / D / E / F / G / H / I / J / K / L / M / N / O / P / R / S / T / U / V / W / Y / Z

Best Russian Short Stories written by Various

V >> Various >> Best Russian Short Stories




And he, too, would laugh and point to his eyes and say: "Here are the
baskets in which I gather the light of the moon and the radiance of
the sun."

And that was the truth. In his eyes shone moon and sun. But he could
not transmit the radiance to marble. Therein lay the greatest tragedy
of his life. He was a descendant of an ancient race of patricians, had
a good wife and children, and except in this one respect, lacked
nothing.

When the dark rumour about Lazarus reached him, he consulted his wife
and friends and decided to make the long voyage to Judea, in order
that he might look upon the man miraculously raised from the dead. He
felt lonely in those days and hoped on the way to renew his jaded
energies. What they told him about Lazarus did not frighten him. He
had meditated much upon death. He did not like it, nor did he like
those who tried to harmonise it with life. On this side, beautiful
life; on the other, mysterious death, he reasoned, and no better lot
could befall a man than to live--to enjoy life and the beauty of
living. And he already had conceived a desire to convince Lazarus of
the truth of this view and to return his soul to life even as his body
had been returned. This task did not appear impossible, for the
reports about Lazarus, fearsome and strange as they were, did not tell
the whole truth about him, but only carried a vague warning against
something awful.

Lazarus was getting up from a stone to follow in the path of the
setting sun, on the evening when the rich Roman, accompanied by an
armed slave, approached him, and in a ringing voice called to him:
"Lazarus!"

Lazarus saw a proud and beautiful face, made radiant by fame, and
white garments and precious jewels shining in the sunlight. The ruddy
rays of the sun lent to the head and face a likeness to dimly shining
bronze--that was what Lazarus saw. He sank back to his seat
obediently, and wearily lowered his eyes.

"It is true you are not beautiful, my poor Lazarus," said the Roman
quietly, playing with his gold chain. "You are even frightful, my poor
friend; and death was not lazy the day when you so carelessly fell
into its arms. But you are as fat as a barrel, and 'Fat people are not
bad,' as the great Caesar said. I do not understand why people are so
afraid of you. You will permit me to stay with you over night? It is
already late, and I have no abode."

Nobody had ever asked Lazarus to be allowed to pass the night with
him.

"I have no bed," said he.

"I am somewhat of a warrior and can sleep sitting," replied the Roman.
"We shall make a light."

"I have no light."

"Then we will converse in the darkness like two friends. I suppose you
have some wine?"

"I have no wine."

The Roman laughed.

"Now I understand why you are so gloomy and why you do not like your
second life. No wine? Well, we shall do without. You know there are
words that go to one's head even as Falernian wine."

With a motion of his head he dismissed the slave, and they were alone.
And again the sculptor spoke, but it seemed as though the sinking sun
had penetrated into his words. They faded, pale and empty, as if
trembling on weak feet, as if slipping and falling, drunk with the
wine of anguish and despair. And black chasms appeared between the two
men--like remote hints of vast emptiness and vast darkness.

"Now I am your guest and you will not ill-treat me, Lazarus!" said the
Roman. "Hospitality is binding even upon those who have been three
days dead. Three days, I am told, you were in the grave. It must have
been cold there... and it is from there that you have brought this bad
habit of doing without light and wine. I like a light. It gets dark so
quickly here. Your eyebrows and forehead have an interesting line:
even as the ruins of castles covered with the ashes of an earthquake.
But why in such strange, ugly clothes? I have seen the bridegrooms of
your country, they wear clothes like that--such ridiculous
clothes--such awful garments... Are you a bridegroom?"

Already the sun had disappeared. A gigantic black shadow was
approaching fast from the west, as if prodigious bare feet were
rustling over the sand. And the chill breezes stole up behind.

"In the darkness you seem even bigger, Lazarus, as though you had
grown stouter in these few minutes. Do you feed on darkness,
perchance?... And I would like a light... just a small light... just a
small light. And I am cold. The nights here are so barbarously cold...
If it were not so dark, I should say you were looking at me, Lazarus.
Yes, it seems, you are looking. You are looking. _You are looking at
me!_... I feel it--now you are smiling."

The night had come, and a heavy blackness filled the air.

"How good it will be when the sun rises again to-morrow... You know I
am a great sculptor... so my friends call me. I create, yes, they say
I create, but for that daylight is necessary. I give life to cold
marble. I melt the ringing bronze in the fire, in a bright, hot fire.
Why did you touch me with your hand?"

"Come," said Lazarus, "you are my guest." And they went into the
house. And the shadows of the long evening fell on the earth...

The slave at last grew tired waiting for his master, and when the sun
stood high he came to the house. And he saw, directly under its
burning rays, Lazarus and his master sitting close together. They
looked straight up and were silent.

The slave wept and cried aloud: "Master, what ails you, Master!"

The same day Aurelius left for Rome. The whole way he was thoughtful
and silent, attentively examining everything, the people, the ship,
and the sea, as though endeavouring to recall something. On the sea a
great storm overtook them, and all the while Aurelius remained on deck
and gazed eagerly at the approaching and falling waves. When he
reached home his family were shocked at the terrible change in his
demeanour, but he calmed them with the words: "I have found it!"

In the dusty clothes which he had worn during the entire journey and
had not changed, he began his work, and the marble ringingly responded
to the resounding blows of the hammer. Long and eagerly he worked,
admitting no one. At last, one morning, he announced that the work was
ready, and gave instructions that all his friends, and the severe
critics and judges of art, be called together. Then he donned gorgeous
garments, shining with gold, glowing with the purple of the byssin.

"Here is what I have created," he said thoughtfully.

His friends looked, and immediately the shadow of deep sorrow covered
their faces. It was a thing monstrous, possessing none of the forms
familiar to the eye, yet not devoid of a hint of some new unknown
form. On a thin tortuous little branch, or rather an ugly likeness of
one, lay crooked, strange, unsightly, shapeless heaps of something
turned outside in, or something turned inside out--wild fragments
which seemed to be feebly trying to get away from themselves. And,
accidentally, under one of the wild projections, they noticed a
wonderfully sculptured butterfly, with transparent wings, trembling as
though with a weak longing to fly.

"Why that wonderful butterfly, Aurelius?" timidly asked some one.

"I do not know," answered the sculptor.

The truth had to be told, and one of his friends, the one who loved
Aurelius best, said: "This is ugly, my poor friend. It must be
destroyed. Give me the hammer." And with two blows he destroyed the
monstrous mass, leaving only the wonderfully sculptured butterfly.

After that Aurelius created nothing. He looked with absolute
indifference at marble and at bronze and at his own divine creations,
in which dwelt immortal beauty. In the hope of breathing into him once
again the old flame of inspiration, with the idea of awakening his
dead soul, his friends led him to see the beautiful creations of
others, but he remained indifferent and no smile warmed his closed
lips. And only after they spoke to him much and long of beauty, he
would reply wearily:

"But all this is--a lie."

And in the daytime, when the sun was shining, he would go into his
rich and beautifully laid-out garden, and finding a place where there
was no shadow, would expose his bare head and his dull eyes to the
glitter and burning heat of the sun. Red and white butterflies
fluttered around; down into the marble cistern ran splashing water
from the crooked mouth of a blissfully drunken Satyr; but he sat
motionless, like a pale shadow of that other one who, in a far land,
at the very gates of the stony desert, also sat motionless under the
fiery sun.



V


And it came about finally that Lazarus was summoned to Rome by the
great Augustus.

They dressed him in gorgeous garments as though it had been ordained
that he was to remain a bridegroom to an unknown bride until the very
day of his death. It was as if an old coffin, rotten and falling
apart, were regilded over and over, and gay tassels were hung on it.
And solemnly they conducted him in gala attire, as though in truth it
were a bridal procession, the runners loudly sounding the trumpet that
the way be made for the ambassadors of the Emperor. But the roads
along which he passed were deserted. His entire native land cursed the
execrable name of Lazarus, the man miraculously brought to life, and
the people scattered at the mere report of his horrible approach. The
trumpeters blew lonely blasts, and only the desert answered with a
dying echo.

Then they carried him across the sea on the saddest and most gorgeous
ship that was ever mirrored in the azure waves of the Mediterranean.
There were many people aboard, but the ship was silent and still as a
coffin, and the water seemed to moan as it parted before the short
curved prow. Lazarus sat lonely, baring his head to the sun, and
listening in silence to the splashing of the waters. Further away the
seamen and the ambassadors gathered like a crowd of distressed
shadows. If a thunderstorm had happened to burst upon them at that
time or the wind had overwhelmed the red sails, the ship would
probably have perished, for none of those who were on her had strength
or desire enough to fight for life. With supreme effort some went to
the side of the ship and eagerly gazed at the blue, transparent abyss.
Perhaps they imagined they saw a naiad flashing a pink shoulder
through the waves, or an insanely joyous and drunken centaur galloping
by, splashing up the water with his hoofs. But the sea was deserted
and mute, and so was the watery abyss.

Listlessly Lazarus set foot on the streets of the Eternal City, as
though all its riches, all the majesty of its gigantic edifices, all
the lustre and beauty and music of refined life, were simply the echo
of the wind in the desert, or the misty images of hot running sand.
Chariots whirled by; the crowd of strong, beautiful, haughty men
passed on, builders of the Eternal City and proud partakers of its
life; songs rang out; fountains laughed; pearly laughter of women
filled the air, while the drunkard philosophised and the sober ones
smilingly listened; horseshoes rattled on the pavement. And surrounded
on all sides by glad sounds, a fat, heavy man moved through the centre
of the city like a cold spot of silence, sowing in his path grief,
anger and vague, carking distress. Who dared to be sad in Rome?
indignantly demanded frowning citizens; and in two days the
swift-tongued Rome knew of Lazarus, the man miraculously raised from
the grave, and timidly evaded him.

There were many brave men ready to try their strength, and at their
senseless call Lazarus came obediently. The Emperor was so engrossed
with state affairs that he delayed receiving the visitor, and for
seven days Lazarus moved among the people.

A jovial drunkard met him with a smile on his red lips. "Drink,
Lazarus, drink!" he cried, "Would not Augustus laugh to see you
drink!" And naked, besotted women laughed, and decked the blue hands
of Lazarus with rose-leaves. But the drunkard looked into the eyes of
Lazarus--and his joy ended forever. Thereafter he was always drunk. He
drank no more, but was drunk all the time, shadowed by fearful dreams,
instead of the joyous reveries that wine gives. Fearful dreams became
the food of his broken spirit. Fearful dreams held him day and night
in the mists of monstrous fantasy, and death itself was no more
fearful than the apparition of its fierce precursor.

Lazarus came to a youth and his lass who loved each other and were
beautiful in their love. Proudly and strongly holding in his arms his
beloved one, the youth said, with gentle pity: "Look at us, Lazarus,
and rejoice with us. Is there anything stronger than love?"

And Lazarus looked at them. And their whole life they continued to
love one another, but their love became mournful and gloomy, even as
those cypress trees over the tombs that feed their roots on the
putrescence of the grave, and strive in vain in the quiet evening hour
to touch the sky with their pointed tops. Hurled by fathomless
life-forces into each other's arms, they mingled their kisses with
tears, their joy with pain, and only succeeded in realising the more
vividly a sense of their slavery to the silent Nothing. Forever
united, forever parted, they flashed like sparks, and like sparks went
out in boundless darkness.

Lazarus came to a proud sage, and the sage said to him: "I already
know all the horrors that you may tell me, Lazarus. With what else can
you terrify me?"

Only a few moments passed before the sage realised that the knowledge
of the horrible is not the horrible, and that the sight of death is
not death. And he felt that in the eyes of the Infinite wisdom and
folly are the same, for the Infinite knows them not. And the
boundaries between knowledge and ignorance, between truth and
falsehood, between top and bottom, faded and his shapeless thought was
suspended in emptiness. Then he grasped his grey head in his hands and
cried out insanely: "I cannot think! I cannot think!"

Thus it was that under the cool gaze of Lazarus, the man miraculously
raised from the dead, all that serves to affirm life, its sense and
its joys, perished. And people began to say it was dangerous to allow
him to see the Emperor; that it were better to kill him and bury him
secretly, and swear he had disappeared. Swords were sharpened and
youths devoted to the welfare of the people announced their readiness
to become assassins, when Augustus upset the cruel plans by demanding
that Lazarus appear before him.

Even though Lazarus could not be kept away, it was felt that the heavy
impression conveyed by his face might be somewhat softened. With that
end in view expert painters, barbers and artists were secured who
worked the whole night on Lazarus' head. His beard was trimmed and
curled. The disagreeable and deadly bluishness of his hands and face
was covered up with paint; his hands were whitened, his cheeks rouged.
The disgusting wrinkles of suffering that ridged his old face were
patched up and painted, and on the smooth surface, wrinkles of
good-nature and laughter, and of pleasant, good-humoured cheeriness,
were laid on artistically with fine brushes.

Lazarus submitted indifferently to all they did with him, and soon was
transformed into a stout, nice-looking old man, for all the world a
quiet and good-humoured grandfather of numerous grandchildren. He
looked as though the smile with which he told funny stories had not
left his lips, as though a quiet tenderness still lay hidden in the
corner of his eyes. But the wedding-dress they did not dare to take
off; and they could not change his eyes--the dark, terrible eyes from
out of which stared the incomprehensible _There_.



VI


Lazarus was untouched by the magnificence of the imperial apartments.
He remained stolidly indifferent, as though he saw no contrast between
his ruined house at the edge of the desert and the solid, beautiful
palace of stone. Under his feet the hard marble of the floor took on
the semblance of the moving sands of the desert, and to his eyes the
throngs of gaily dressed, haughty men were as unreal as the emptiness
of the air. They looked not into his face as he passed by, fearing to
come under the awful bane of his eyes; but when the sound of his heavy
steps announced that he had passed, heads were lifted, and eyes
examined with timid curiosity the figure of the corpulent, tall,
slightly stooping old man, as he slowly passed into the heart of the
imperial palace. If death itself had appeared men would not have
feared it so much; for hitherto death had been known to the dead only,
and life to the living only, and between these two there had been no
bridge. But this strange being knew death, and that knowledge of his
was felt to be mysterious and cursed. "He will kill our great, divine
Augustus," men cried with horror, and they hurled curses after him.
Slowly and stolidly he passed them by, penetrating ever deeper into
the palace.

Caesar knew already who Lazarus was, and was prepared to meet him. He
was a courageous man; he felt his power was invincible, and in the
fateful encounter with the man "wonderfully raised from the dead" he
refused to lean on other men's weak help. Man to man, face to face, he
met Lazarus.

"Do not fix your gaze on me, Lazarus," he commanded. "I have heard
that your head is like the head of Medusa, and turns into stone all
upon whom you look. But I should like to have a close look at you, and
to talk to you before I turn into stone," he added in a spirit of
playfulness that concealed his real misgivings.

Approaching him, he examined closely Lazarus' face and his strange
festive clothes. Though his eyes were sharp and keen, he was deceived
by the skilful counterfeit.

"Well, your appearance is not terrible, venerable sir. But all the
worse for men, when the terrible takes on such a venerable and
pleasant appearance. Now let us talk."

Augustus sat down, and as much by glance as by words began the
discussion. "Why did you not salute me when you entered?"

Lazarus answered indifferently: "I did not know it was necessary."

"You are a Christian?"

"No."

Augustus nodded approvingly. "That is good. I do not like the
Christians. They shake the tree of life, forbidding it to bear fruit,
and they scatter to the wind its fragrant blossoms. But who are you?"

With some effort Lazarus answered: "I was dead."

"I heard about that. But who are you now?"

Lazarus' answer came slowly. Finally he said again, listlessly and
indistinctly: "I was dead."

"Listen to me, stranger," said the Emperor sharply, giving expression
to what had been in his mind before. "My empire is an empire of the
living; my people are a people of the living and not of the dead. You
are superfluous here. I do not know who you are, I do not know what
you have seen There, but if you lie, I hate your lies, and if you tell
the truth, I hate your truth. In my heart I feel the pulse of life; in
my hands I feel power, and my proud thoughts, like eagles, fly through
space. Behind my back, under the protection of my authority, under the
shadow of the laws I have created, men live and labour and rejoice. Do
you hear this divine harmony of life? Do you hear the war cry that men
hurl into the face of the future, challenging it to strife?"

Augustus extended his arms reverently and solemnly cried out: "Blessed
art thou, Great Divine Life!"

But Lazarus was silent, and the Emperor continued more severely: "You
are not wanted here. Pitiful remnant, half devoured of death, you fill
men with distress and aversion to life. Like a caterpillar on the
fields, you are gnawing away at the full seed of joy, exuding the
slime of despair and sorrow. Your truth is like a rusted sword in the
hands of a night assassin, and I shall condemn you to death as an
assassin. But first I want to look into your eyes. Mayhap only cowards
fear them, and brave men are spurred on to struggle and victory. Then
will you merit not death but a reward. Look at me, Lazarus."

At first it seemed to divine Augustus as if a friend were looking at
him, so soft, so alluring, so gently fascinating was the gaze of
Lazarus. It promised not horror but quiet rest, and the Infinite dwelt
there as a fond mistress, a compassionate sister, a mother. And ever
stronger grew its gentle embrace, until he felt, as it were, the
breath of a mouth hungry for kisses... Then it seemed as if iron bones
protruded in a ravenous grip, and closed upon him in an iron band; and
cold nails touched his heart, and slowly, slowly sank into it.

"It pains me," said divine Augustus, growing pale; "but look, Lazarus,
look!"

Ponderous gates, shutting off eternity, appeared to be slowly swinging
open, and through the growing aperture poured in, coldly and calmly,
the awful horror of the Infinite. Boundless Emptiness and Boundless
Gloom entered like two shadows, extinguishing the sun, removing the
ground from under the feet, and the cover from over the head. And the
pain in his icy heart ceased.

"Look at me, look at me, Lazarus!" commanded Augustus, staggering...

Time ceased and the beginning of things came perilously near to the
end. The throne of Augustus, so recently erected, fell to pieces, and
emptiness took the place of the throne and of Augustus. Rome fell
silently into ruins. A new city rose in its place, and it too was
erased by emptiness. Like phantom giants, cities, kingdoms, and
countries swiftly fell and disappeared into emptiness--swallowed up in
the black maw of the Infinite...

"Cease," commanded the Emperor. Already the accent of indifference was
in his voice. His arms hung powerless, and his eagle eyes flashed and
were dimmed again, struggling against overwhelming darkness.

"You have killed me, Lazarus," he said drowsily.

These words of despair saved him. He thought of the people, whose
shield he was destined to be, and a sharp, redeeming pang pierced his
dull heart. He thought of them doomed to perish, and he was filled
with anguish. First they seemed bright shadows in the gloom of the
Infinite.--How terrible! Then they appeared as fragile vessels with
life-agitated blood, and hearts that knew both sorrow and great
joy.--And he thought of them with tenderness.

And so thinking and feeling, inclining the scales now to the side of
life, now to the side of death, he slowly returned to life, to find in
its suffering and joy a refuge from the gloom, emptiness and fear of
the Infinite.

"No, you did not kill me, Lazarus," said he firmly. "But I will kill
you. Go!"

Evening came and divine Augustus partook of food and drink with great
joy. But there were moments when his raised arm would remain suspended
in the air, and the light of his shining, eager eyes was dimmed. It
seemed as if an icy wave of horror washed against his feet. He was
vanquished but not killed, and coldly awaited his doom, like a black
shadow. His nights were haunted by horror, but the bright days still
brought him the joys, as well as the sorrows, of life.

Next day, by order of the Emperor, they burned out Lazarus' eyes with
hot irons and sent him home. Even Augustus dared not kill him.

* * * * *

Lazarus returned to the desert and the desert received him with the
breath of the hissing wind and the ardour of the glowing sun. Again he
sat on the stone with matted beard uplifted; and two black holes,
where the eyes had once been, looked dull and horrible at the sky. In
the distance the Holy City surged and roared restlessly, but near him
all was deserted and still. No one approached the place where Lazarus,
miraculously raised from the dead, passed his last days, for his
neighbours had long since abandoned their homes. His cursed knowledge,
driven by the hot irons from his eyes deep into the brain, lay there
in ambush; as if from ambush it might spring out upon men with a
thousand unseen eyes. No one dared to look at Lazarus.

And in the evening, when the sun, swollen crimson and growing larger,
bent its way toward the west, blind Lazarus slowly groped after it. He
stumbled against stones and fell; corpulent and feeble, he rose
heavily and walked on; and against the red curtain of sunset his dark
form and outstretched arms gave him the semblance of a cross.

It happened once that he went and never returned. Thus ended the
second life of Lazarus, who for three days had been in the mysterious
thraldom of death and then was miraculously raised from the dead.




THE REVOLUTIONIST



BY MICHAIL P. ARTZYBASHEV


I


Gabriel Andersen, the teacher, walked to the edge of the school
garden, where he paused, undecided what to do. Off in the distance,
two miles away, the woods hung like bluish lace over a field of pure
snow. It was a brilliant day. A hundred tints glistened on the white
ground and the iron bars of the garden railing. There was a lightness
and transparency in the air that only the days of early spring
possess. Gabriel Andersen turned his steps toward the fringe of blue
lace for a tramp in the woods.

"Another spring in my life," he said, breathing deep and peering up at
the heavens through his spectacles. Andersen was rather given to
sentimental poetising. He walked with his hands folded behind him,
dangling his cane.